Showing posts with label Many: implying endless. Show all posts
Showing posts with label Many: implying endless. Show all posts

Friday, 9 August 2013

March of the Sunflowers, Classe, Emilia Romagna

Photograph Copyright ©2013 Loo Yen Yeo. All Rights Reserved.
Concept: Many (implying endless); Cartesian lines (horizontal); Lines (implication); Gestalt (continuity)

Description: It was a balmy summer evening, walking back to Ravenna from the Basilica of Saint Apollinaris in Classe, when I found the road lined with sunflowers. The clear green furrow in a vista of bright yellow petals with the flowers facing the houses in the distance, reminded me of a parade field of troops lined up for inspection.

From a low angle of perspective, chaotic groupings of many things are resolved by the eye into horizontal lines, the groups being joined together by the Gestalt Principle of Continuation. Framing the shot within the field's boundaries makes the flowers seem to extend sideways forever.

Title: March of the Sunflowers

Sunday, 4 August 2013

02.09 Many

Between the single unit and inseparable mass of texture lies 'many'. Many occurs at a largest scale where the form of individual components are still discernable. Thus content plays a stronger role in many than in pattern or texture.

An characteristic of 'many' to varying degrees is the element of surprise; of seeing so many things in one place, such as the flocking of flamingos in crater lakes; the clustering of monarch butterflies on oyamel trees in Mexico; or the human pilgrimage of Kumbh Mela. Large numbers imply a great occasion or event.

The conventional approach to composing with 'many' is to frame within the boundaries of the aggregation to imply that there is no limit to its extent.