Showing posts with label Quadrilaterals: symmetrical. Show all posts
Showing posts with label Quadrilaterals: symmetrical. Show all posts

Monday, 17 June 2013

"Triumph of the Name of Jesus" by Giovanni Battista Gaulli, Chiesa del Gesù, Rome

Photograph Copyright ©2012 Loo Yen Yeo. All Rights Reserved.
Concept: Ambiguous (soluble); Delay (footprinting); Frames within frames (introducing movement); Frame shape (the 3:2 frame); Quadrilaterals (symmetrical)

Description: The viewer's eye is first captured by the detail and luminosity of the beautiful baroque creation, then the elongated parallelogram shape of the frame-within-a-frame moves the eye upward accentuated by the 3:2 image frame shape. Only finally, at the top of the picture is there a female figure indicating that the framed image is a reflection of the ceiling above.

Title: Taken to Light

Sunday, 16 June 2013

03.10 Quadrilaterals - symmetrical and asymmetrical

Rectangles and their perfect forms, squares, are easily found as literal forms in man-made environments. They are highly unusual, implied or literal, in the natural world.

Just as ellipses have a special relationship with circles, where ellipses are commonly interpreted as circles viewed at an angle not perpendicular to their plane; so do members in the group of symmetrical quadrilaterals.

Rectangles (including squares)
These are only seen as such when viewed along the central axis: a line passing through the exact centre of the shape running perpendicular to its plane.

Parallelograms
These are observed when rectangles are viewed on a perpendicular plane passing through the diagonal corners.

Trapezoids
These are observed when rectangles are viewed on a perpendicular plane bisecting two opposite sides.

Asymmetric quadrilaterals
These are seen when rectangles are viewed along axes not passing through a point of symmetry. They would likely be resolved as two triangles.

Thus not only are the points of a rectangle highly constrained in composition, but the angle of its viewing is too. Precision is of utmost importance when taking an image of a rectangle, as misalignments with the image frame are glaringly obvious. As a possible consequence of the due care required, deployment of rectangular elements lend a sense of formality, of controlled structure; and slightly less so with trapezoids and parallelograms.